17 January 2012
for Helen Frankenthaler
She departed from the romantic search
for the sublime to pursue her own path,
pouring turpentine-thinned paint
in watery washes onto raw canvas
so that it soaked into the fabric weave
becoming one with it.
Her method emphasized flat surface
over illusory depth and the nature of paint,
releasing color from the gestural approach
and romantic rhetoric of Abstract Expressionism,
landscapes looking to many like a large paint rag
casually accidental and incomplete.
From the biography of Helen Frankenthaler in the New York Times. Phrases have been picked from the article and put together, in order, instead of one whole excerpt. Submitted by Jenni B. Baker.